The name Alice Walker came to me as it does to a great many of my generation, attached to a movie that became an icon, a poignant story that aired so much dirty laundry and let so many secrets out of the bag. I was fascinated by it. Whoopi Goldberg's rendition of Celie touched me deeply. Her somber nature and crude ponytails, the abuse, separation and neglect drew me to her, into the story. She reminded of me of a part of me, wounded and world-weary, yearning for the comfort of anonymity, hiding smiles no matter how few. There always seemed to be something else there, in the background, that never quite broke the surface. Each time I tried to see it, it would dart away and images of Shug Avery, juke joints, and the Olinka people carried me onward, inward. Before I could catch up, it was over. I was still hungry and went to find the book since it was common knowledge, even back then, that "the book was always better than the movie." I went to the library in search of Celie and found Alice, her name emblazoned on the cover of The Color Purple seemed to say boldly, Yeah, I wrote it!, and lay claim to the intricate characters, the plot that caused my cheeks to burn red in places and the powerful honesty that possessed my thoughts weeks later. After reading the book, which surpassed the film in every way, Alice Walker was crowned the foremost influence on my writing life.
I wanted her power, her honesty, her humor, her eyes that saw what we all see and her voice that told it in a way that we had never thought of before.
Now, some twenty years later, the more I get to know her, the more I realize that I have known her all along in a very personal and almost subconscious way. Her words, which would sometimes leap out from the page and slap me across the face in the midst of childhood misery, have worked a kind of magic on me over the years. It doesn't help that our paths have crossed, though with generations stretched between. We both claim the red clay of Georgia as home and were both raised in similarly rural and fiercely religious homes. The Atlanta University Center or AUC was both our post secondary choice. She attended Spelman and graduated while I opted for Morris Brown and dropped out after a year and a half. I want to travel back, take a Quantum Leap, and wake up in her skin. Maybe then I would unearth the truth of how she could know me so well, know so many women like me who find mirror images of themselves in the characters she sews from some ancient, universal fabric.
Since that initial introduction, I've inhaled her work like oxygen while trying to exhale my own words, pour my own brand of remembrance onto a page. At some point, I lost my way, entangled in the hustle of life that moves ahead sometimes at breakneck speed like a train with no brakes. At 28, I look around and find myself well into adulthood, mother two daughters and carving out minuscule stories in the blogesphere and random journals, still unclear of where this will eventually lead.
I see, almost accidentally, while flipping through Creative Loafing, that Alice Walker will be featured at this year's National Black Arts Festival. I regard the ad with only and continue on to the next page. Later, I go to the NBAF website looking for info on the children's event that I plan to attend with my girls and notice it again, the event featuring Alice Walker. I mention it to Timm who immediately sees an opportunity. "Go! Give her your work!" I have a momentary image of me handing a sheet of paper to Alice, one of my stories, and her, after regarding it with obvious disgust, bursting into wild laughter. I have always regarded Alice as though she too were a character in a storybook, a fictional person, larger than life itself. While meeting her is near the top of my "bucket list," the possibility of such a thing has never really crossed my mind. Its right up there with meeting the Dalai lama or God. Worthy of a big 'Yeah Right!' But I go with him, start forming the idea a bit in my mind. the reality starts to hit me. Perhaps I could attend this event. Maybe I will meet Alice Walker and take it a step further and actually hand her a packet of my work. Perhaps.
Its Friday night when I make the decision. The event is on Sunday evening. I summon everything I ever read on utilizing the laws of attraction and every word I've ever heard by Wayne Dyer about the power of intention and charge head first into bringing this thing about.
On Saturday, the girls and I go down to Woodruff Arts Center where an African Village has been created for their amusement and entertainment. Who knew they had activity booths sponsored by Verizon Wireless and complimentary Sunny D in an ancient African Village! Authenticity aside, and despite the mind searing heat, we had a great time. The traditional dances on the performance stage were the highlight for me, while the girls got a kick out of a drawing studio where they drew Rafiki from The Lion King. Image their delight (or horror in Eden's case) when a life-sized Rafiki came from behind the large screen at the front of the room. As we were leaving, I stopped by the box office to get a ticket to the event but the line was long and the girls were restless so I made a note to buy the tickets online at home and headed out of there.
By the time I remembered the ticket, it was 1AM. I ran to the computer and made the necessary clicks for the purchase only to be met with two bold, all caps words mocking me from the event page: SOLD OUT. I could literally feel my world crashing down around me. I called Timm and frantically gave him the report. What followed was a harsh tongue lashing on my failure to buy the tickets when the decision was made and on how my sleeping in on weekend mornings somehow attributed to this calamity. An argument ensued and I went to bed weeping over lost hope and and rubbing my bruised ego. The laws of attraction and the power of intention far from my thoughts.
Sunday morning, I was up with the sun sitting at my computer and crafting a plan that would get my work into Alice's hands one way or another. To win big, you must risk big. I've heard that so many times. Today, I would put it to use. Immediately, something rose up in me and commenced to heckle me for the next several hours. "What a waste of time! Gas is too high to waste driving all the way back over there for nothing. Isn't your check engine light on? Ok, fine, end up on the side of the highway! You don't have a ticket. You're not getting in! Do you not understand what SOLD OUT means??" At some point, I got a headache. Despite my careful and calculated planning, time seemed to speed up. I was pressed into a tornado of activity to get myself and the girls ready to leave the house. At Kinko's where I would prepare my packet of work, everything went wrong. Abandoning my original plan of printing samples for all the speakers at the event, frustrated, I made only one, put Alice's name on it and headed out of there scared to death, unsure as tomorrow and still battling the desire to turn on my heels and go back home where plenty of worthy tasks awaited me.
I dropped the girls off with a cousin and made my way to the center well past my intended arrival time. I wanted to get there early, grab an event employee and with my most official demeanor order him (yes, him. I would also try to squeeze in a few feminine wiles) to deliver this urgent package post-haste to Ms. Walker. I would leave with some sense of accomplishment and never know for sure if the task was ever really carried out. As I walked down the corridor towards the auditorium, I was met with a line of ticketed patrons waiting to get in. The line snaked around a corner and beyond. Weak with worry, I marched on. A table was set up outside the auditorium and I stopped, just in case, to inquire maybe some tickets had become available and of course, none had. But, the women pointed me to a smaller line against a wall and said, "Those folks there are waiting to see if they might be able to get in. You can wait there and see what comes up." I heading for the line, seeing it as a haven in the bustling lobby, something to anchor me to a purpose rather than wandering aimlessly on what that voice called a "fruitless mission." Once in the line, I began to have further doubts. Now I felt that I was wasting time standing there in line as precious seconds flew by when I should be focused on the mission, no matter how fruitless it seemed. Several people had passed me wearing event staff badges. My window of opportunity was closing. Winton Marsallas paused for photographs within slapping distance. Cornell West exited the room where he had been speaking just steps away from me. Women in African dress filed by. Natural hair was on parade. So many regal and proud faces passed me that I was certain they couldn't just be ordinary folks. I found myself pondering constantly, "Who is that? He looks so familiar! Isn't she a congresswoman?" The auditorium was open and those waiting in line filed inside. I craned my neck to watch the procession. Just as I was thinking yet again that I was wasting time standing there, an event staff woman walked over, raised her hand for our attention and said, "I need the first 20 people." I almost fainted as she began walking down the line counting. I had no idea what number I was in line but thankfully, she reached me at 18, because if I had been beyond that crucial 20, I could feel my body preparing to give way.
Feeling privileged and lucky beyond comprehension, I followed the others to the table where we were to buy our tickets and enter the event. I pulled out my VISA and the woman behind me said, "You know they only taking cash." She could have punched me in the face and it would have felt better. Frantic again, I inquired about an ATM, she having suddenly been thrust into the role of best friend, I asked to hold my place while I ran full speed down the corridor and around a corner, yes, full speed past elegant ladies heels and dread-locked brothers debating the state of the race. I'm sure I incited a few scornful glances but I didn't see anything, not even the ATM machine as I blew past it before coming to a point where nothing but a large atrium surrounded me. I turned and saw the machine and pressed the keys so hard fast that I mistyped several times and had to re-enter my pin three times! Finally, it spit out the currency and I repeated the whole gangly, awkward dash back to the auditorium. The sister holding my place was no where to be found. What a way to treat her best friend! Leaving me outside to plead my case while she retreated to tho her seat! At the ticket table, two ladies looked up at me. I asked if the 20 that were called had gone in. Duh Ayanna! Of course they had. "I was the 18th person! I had to get cash and I came right back. Can I please get a ticket!" Wrapped up in my plea was the agony of the entire ordeal and my fervent hope the impossible. They must have felt some of it. After looking at each other briefly, one of them held out a ticket. I don't remember which one, I dropped my twenty, grabbed that ticket and sped away so fast that I was easing into my seat before the bill hit the table.
After catching my breath and choking back tears at the sheer relief at having made it so far on a journey that had taxed me so brutally, I began to relax. The Richard Rich Theatre was nicely appointed and decorated in warm tones. People were still making their way in, chatting in the aisles and finding seats. After what seemed to me to be a very long time, the event began. Producer, Alvelyn Sanders gave a welcome and talked about how she had gotten the idea for this event back in February. I made a mental note to personally thank her for being the origin of the night that would forever change my life. She paid homage to several notable figures in the audience, including Atlanta mayor, Shirley Franklin then finally, she introduced Alice. She was sitting in the front row, stage right. From my vantage point, a small woman dressed casually in black pants and sleeveless top stood to acknowledge the crowd. At once, I felt as though I were sharing the same space as the divine. Here was a figment of my literary fantasy come to life and seeming quite ordinary and but still not quite approachable. The love and veneration in the room was palpable. I looked up and the ceiling and breathed deeply, so glad that I had not given in or given up and content with the fact that if I left that building with my packet still tucked in my bag, this alone was worth all the hassle and headache of the day.
After the introduction, the speakers began to take the stage. There were ten poets, authors, actors, teachers and others of the craft slated to read excerpts from Alice Walker's body of work. Valerie Boyd read first from "Looking for Zora" in which Alice recalls finding the grave of Zora Neale Hurston. One by one, they climbed the stage and read. There were moments of laughter and moments of biting honestly that left the theater silent. Noted actress, Regina Taylor concluded that segment, reading from The Color Purple. Her excerpt being the same one that I found in Timm's copy of On The Issues magazine from 1997. Alice smiles on the cover of that one, arms folder, chin resting on one fist. The article preceding the excerpt was my first in-depth look into Alice's actual spiritual beliefs. Gone were the speculations and assumptions taken from her characters and plots. It was there in black and white, her reverence for the earth and her disbelief in most organized schools of religious thought.
Alice took the stage after Regina to thunderous applause, everyone in the theatre was standing. She was barely taller than the podium but her presence filled the room. Her voice was large and deep. Her words poured over me like warm honey. She too read, selecting a snippet from another of my favorites, Possessing the Secret of Joy. There was more applause when she concluded and then a short break was to lead into the next portion of the event, a one-on-one conversation between Alice and Pearl Cleage. Unfortunately, we had run long and the next event had been due to start twenty minutes prior. Alice and Pearl took the stage momentarily, thanked everyone, apologized and people started filing out. I sat paralyzed. Here it was, the time to act, the opportunity to be bold or go slinking home with nothing to talk about but a great event and no notable action on my part to at least keep my promise to myself let alone possibly advance my career. A few people were leisurely walking over to Alice. I saw someone hand her flowers. Cameras flashed away. It wasn't a massive throng that would take hours to get through. Alice was right there! I had to more. I willed my feet and legs to get it together and with a confidence I didn't even know I had, I walked down to the stage and across to where Alice was standing. Only two women stood between me and my moment. I waiting no more than 90 seconds then, there we were, face to face. Me and Alice.
I wish I could tell you that I had something very deep and emotional and philosophical to say but in that moment, about three-quarters of my brain seems to fizzle out like a popped balloon and all I could manage was some dribble about how she was such an inspiration to me and my writing and how I felt so honored to be there and to be able to meet her. We shared a quick embrace. It was one of those hugs of the sort you give your mama after being away from home for years and finding the world a cold and unforgiving place. I didn't want to let her go. At some point during all that, she cupped my face in her hands. Boy, did I want to let loose the waterworks! I asked her if I could give her something and she said, "If its something small," I assume she was expecting more flowers or something gifty in nature. I produced my envelope, four of my most priced stories tucked inside, my babies. I handed her my babies, which she placed next to her purse. I told her thank you and somehow, I'm not sure, I opened my eyes and I was standing outside the theatre on the sidewalk. Cars zooming by. People drifting in and out of the theatre behind me. All oblivious to the transcendent experience that had just taken place.
My first call was to Timm. His excitement echoed my own as I gave him the synopsis of the entire day, the journey that I had taken. I made my way to my car like a warrior returning victorious from battle.
That was about two weeks ago. No, Alice hasn't called me to say she loves my work and want to take me under her wing. Neither has anyone called to say that Alice forwarded my work to them and they want to talk book deal. If that were the case, I may not be writing this, I'd be too busy putting the finishing touches on my autobiography. There is the very real possibility that I may never hear from Alice, she may have, later in the car or in her hotel room, after regarding my stories with disgust, burst into wild laughter. Regardless, this experience has changed my life. I wrestled with myself and motley gang of circumstances that grated on my patience and wore down my resolve, but in the end, I accomplished exactly what I had set out to do all along. No mission impossibles necessary. So, to sum up what has been a very long story that I could have probably told in a few lines, these are the times when life makes you take notice, when desire, upon being sent out into the universe, becomes a force of such magnitude that not even fears and hang-ups and inhibitions can stop it from manifesting once the wheels are set into motion. Its almost like I had waiting on Alice all this while, to show me that this wonderful mechanism really works, that all I have to do is keep moving foward, keep putting in my share of the work. I have a newfound drive and a certainty that the success I am seeking, which, like meeting Alice, seemed so impossible just weeks ago, will be right there, staring me in the face.